becoming my own myth

I dig into the dirt to plant seedlings, sweet peas
imagining them winding their tendrils round stakes
pulling themselves up to the sun before bursting into flower
my fingers hold the earth aside, then press it down to secure a fragile stem
as I start to make another hollow
I push my hands deep into the earth
and …

I am searching for the way back into my past
I am searching for some evidence of belonging
something that will connect me
I pull my hands from the dirt
and all I can see is longing

this land is rich in story
every mountain, tree and bird has name and meaning and myth
but do the stories of this land belong to me?
my ancestors were far, far away when first these tales were told
and now, do the voices of this land speak to me?
and if they do, can I claim them as my own?

born here, four generations or more, but far from the source
disconnected by time and distance, origins lost
those who chose to leave their homes to start again so far away
some thrived, some were broken
I’ve had to learn the names of my family and my birthplace
instead of breathing them in as a babe
the stories of my people didn’t come to me first hand
I’ve never heard them spoken
I can only read the sleeping words
and imagine them rising from the page

there seems no other choice than that I must become my own myth
send my roots down deep into this rich soil
until I feel connected

I would become green-fingered from the feet up
to become a root-knower, stem-lifter, seed-gatherer
I would understand the alchemy of gold to green

but for now

I am become
the memory of the fair-haired child, lost and fearful,
except when barefoot, running wild in her imagination
I am become the troubled woman, seeking security, trying to refuse the easy road
the intentional woman, trusting instincts, curious and creative
who discovered she needed to birth herself
time-shifting to lift and shelter the memory-child,
who tells herself stories,
writes herself into the past and leaves the door open to the future

I listen to birds
and watch the dance of trees
I learn the language of dreams
I have no myths but the ones I tell myself

I dig into the dirt
to plant new life in the soil
I pull my hands from the earth
and now all I can see are stars and flowers

©clairegriffin2017

It’s taken a month to write this – one of those pieces that demanded to be finished before I could move on to something new.
I’d been thinking about those whose forebears moved to another country, and their descendants. There can be feelings of disconnection from the ancestral country, questions which aren’t answered by knowledge of the place of birth. This is the case for me.
I’m aware of some of the Māori history and myth of Aotearoa New Zealand, but not being Māori, I wonder if those stories can also be mine.
And yet, I was born here, I have no-where else. My people came from Scotland, Ireland, and England, and while some of the myths and histories of these places resonate with me, I can’t quite own them. I don’t belong there – my southern Pacific upbringing in this nation has shaped me into a very different creature. I’m not British, I’m not European (although I understand this is used to define origins/ethnicity), and I can’t quite claim the stories of those countries as my own, not in any living, contemporary sense.
I have the added difficulty of a disrupted family history. So this all starts to sound like a question of identity. The stories our ancestors tell help to form our sense of self and belonging. As a Pākehā New Zealander, what are my stories, my mythic tales to explain my place in the world? I want myths that belong to me, that are born of this land.
The late Michael King wrote about Pākehā identity and culture, and this could be the time for me to read his work on this. Strange that I’ve never explored it before now.

 

 

a Tui in the rain


your black body lands on the green

sunlight strikes
and you flash emerald, turquoise and bronze
white-ruffed like an Elizabethan prince
outrageous elegance in this suburban garden

you pluck a purple berry from the Māhoe tree

I imagine …
you keep a ball of soot and sap tucked under your wing
and on rainy days like these you bring it out
spit berry juice over it and knead it into paste with one clawed foot
ready to make your mark

if I held my hand still
would you slip your beak into my skin
and ink your name, engrave a permanence
a sign of allegiance for the nights when you are hidden in the trees

I imagine …
writing a sonnet to your dark beauty
while I compose, you shriek and chortle
you fill your belly with violet pearls
your white bib staining amethyst
before taking wing to sing oblivious in the secret wood

©clairegriffin2017

quiet rain

in the still morning
quiet rain works its way
down through the branches
one drop embracing another
until heavy enough
to slide off edges and drop from buds
to fall to the green beds below
shaking leaves awake

the bush comes alive
as each small union of sky-tears
leap toward the earth

 

©clairegriffin2017

seedling messages

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If this be the secret runic alphabet of plants – what message does this seedling tell …?

Off and on today, I’ve found myself fascinated by shadows and reflections.

Today is a day of sun and wind and I’m staying inside to play with the light, and to read about the dark places. I’m choosing where to sit carefully – I need the light and warmth. I don’t want my thoughts to be swept away in the cool spring wind, so I’m keeping windows closed.

I saw the shadows cast by this tiny seedling, and I started wondering about runes and secret alphabets and the messages we might discover.

Next step – to consult my book of runes.

Some of the shapes look similar to:

runes

 

gebo – partnership, a gift
• union, partnership – but remember to retain separateness in unity
• the interplay between the conscious and the unconscious (very pertinent since I’ve just started reading about myth and psychology and Jungian archetypes)
a gift of freedom from which other gifts flow

uruz – strength, manhood, womanhood, a wild ox
• termination and new beginnings, life energy released in a new birth
• positive growth and change – may involve passage into darkness, opportunity disguised as loss
• the wild ox carried heavy loads – learn to adapt to the demands of a creative time – humility is called for – learn how to serve

nauthiz – constraint, necessity, pain
• dealing with severe constraint – including the limitations we cause ourselves
• identifying our ‘shadow’ areas (there’s Jung again), including the weaknesses we project onto others – the message being to work with the shadow – recognise challenges as opportunities
• restraint is required – reconsider plans – restore balance – take time to put right the relationship with the self

algiz – protection, sedge or rushes, an elk
• transition, time of new opportunities and challenges – the message being to control emotions during this time
• the protection of the warrior is like the rustle of grass, the horns of the elk – keeping space open
• be mindful, observe, don’t try to escape life through denial

(“The Book of Runes” by Ralph Blum, 1985)

So – what messages were the seedlings giving me?

This is a time of beginnings and opportunities, but not without challenge. Explore your inner and outer self, the conscious and unconscious. Be honest about what you’re experiencing, and be prepared to face the challenges without denial, accept success with humility.

Who knew tiny seedlings could know so much?

©clairegriffin2017