these quiet times…

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when I was a child, about 10-12 years old
there were times when I would be in the midst of an uninhabited space
and feelings of peace, and of relief would wash over me

I felt able to open up and breathe

I felt I was being shown
a different way to understand my place in the world
in the face of open expanses of land and sea and sky
I felt small and insignificant
and it was a comfort

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I would lie on the ground and imagine
that I could be unmade
all my many parts become small enough that I could be carried on the wind
disperse across the land
to disappear from the human world and fall into the earth
to take root like so many tiny seeds
and this was not a sad thing
I almost longed for it
this communion with the land

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I accepted this alternative perspective
as a child

and I still do

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in this time of quiet
I look out my window
looking onto trees
and all I hear is the wind and calls of birds
and I’m aware that this wild natural world doesn’t need me
I’m not important to it
I could leave now and it would go on
and I’m back where I was as a child
wanting to disintegrate and be subsumed
to be embraced by the rich dark earth
to be transformed
to come back as a leaf or a song or an iridescent feather

 

With the gift of hind-sight I recognize there was an element of escapism in my childhood feelings.
The future was all uncertainty and this desire for disintegration meant I wouldn’t need to confront the unknown country of my teenage years or an incomprehensible adulthood.

And what I realise now, is that this youthful desire, which I sensed then as a desire to disintegrate, to become disembodied, to fly apart into myriad specks of star dust, was really a desire to be integrated into something bigger than myself, something dependable and strong. I wanted to be held safe.

I imagine it now as a desire to become embodied, through re-integration with the land.

It seems that very little has changed.

During this time of isolation, of nationwide lockdown in order to overcome the threat of the corona virus, I’ve had days when this feeling has returned.

There’s something about the quietness, the stillness of current times, that is reminding me to reconnect on a deeper level with the pulse of the land.

I’ve wished I could just walk out into the hills and be absorbed into the ground.

And more than that, I’ve had the sense of how little I matter, and that if humanity stepped aside, the natural world would find its balance again without the stress of our presence.

It’s not that I don’t think my life has purpose or value. It has as much purpose as a seedling pushing its way up through the earth. It has as much value as the shimmer on the back of a bird, the purr of a cat.

It’s just that there are days when I can’t bear the suffering we impose on the land and every other creature that walks or swims or flies.

I walk barefoot every chance I get.

It’s my way of staying connected.

(written all the way back on 12 April
– near the start of the lockdown in NZ)

©griffin2020

 

tears

the blue sea I was born in
has condensed into tears
tears that hold the history
of my ocean birth
tears drying into salt crystals
that crumble between
my roughened fingertips

pomegranate juice trails behind me
my gift to the sea
I bite down hard on the seeds
and crawl across rocks
to reach the shore

and there, as I lie nestled in the sand
schist and quartz pebbles
clutched in my hand
bones bleached white in the sun
I think of you
are your colours so different?

I came ashore
with nothing more
than the skin
my mother dressed me in

do you see?
we are all tears and blood and bone
open the door
take these stones from my hand
hold me and welcome me home

©clairegriffin2017

 

Sorting through some papers I found notes for a poem – at first I had no idea what they were about – though I was fascinated to see my thinking and editing at work while I was writing. Then the words “One Million Poets” registered – and it all made sense.
This was a poem I started at the end of last year/beginning of this – but never finished. Recent events make it so much more relevant. Working closely with the initial notes, these notes became “Tears” – a poem for immigrants, refugees, anyone seeking a home. (I’m intrigued by the cloud formation I unintentionally captured to the left of the poem – what does it look like to you?).

The “One Million Poets” project was begun by World Poetry Open Mic to address “feelings of separation” and to “share messages from the hearts of real people”.

If you’re interested in this, go to the link above, and offer a poem. The following is from their website:

How To Get Involved

  1. Write (or decide to cover) a poem that resonates with you with a some sort of message about community, humanity, and love for all of humankind.
  2. Create a simple video or audio recording of you reading it to the camera. In your video, challenge three other people to do the same within three days.
  3. Upload your video or audio to YouTube (video) or Soundcloud (audio). Make sure to write “One Million Poets” in the title. Also, if you use hashtags, make sure to use #Onemillionpoets in your description and tag section. 

 

So I took the plunge and made a video!