hearing silence

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During the week of 16 – 20 March 2020, we were just getting used to the announcement the previous weekend that anyone entering the country would be required to self-isolate for 14 days. It seemed to have the immediate effect of reducing the amount of traffic on the roads, as if everyone had started to keep their heads down, hoping this virus would pass them by.

On Wednesday 18 March, I was talking with a dear friend, and confessed I’d been feeling very strange.

“It’s so silent… it’s as if I can hear it… it’s not just that there’s so little traffic… it’s something more than that. It’s as if I can hear silence…”

And I discovered, she felt the same.

We both felt there wasn’t just less background noise from the lack of traffic, but that even the birds were quiet. As if they’d moved further away. And there was more than this.

“I can hear the silence… as if it’s a presence, a being in its own right. It’s like a psychic, spiritual silence, something we’re not usually aware of.”

It was as if the silence was something we could feel, a weight we could sense. As we attempted to explain what we were feeling, we decided it felt eerie, almost foreboding, as if something else was coming. We talked of it as a psychic silence. That it felt like something beyond this material world, something spiritual. We struggled to find the right word to describe what we were feeling. Perhaps there isn’t one.

Then while talking about this with two other close friends shared that they had noticed strange things involving animals – frogs falling silent, cows clustering together.

It was all starting to feel very unsettling.

Perhaps we had just started to pay attention.
We were noticing the absence of sound.
We were hearing silence.

And perhaps what we were sensing was the sheer enormity and power of the natural world, which our society has managed to separate us from for so long. As if we had suddenly stepped off a structured path and into a forest, and were struck by the changes in sound and smell, of temperature.

I’d felt that I was sensing silence as if it was a weight, something heavy and ominous.

Perhaps the screen of the modern world had lifted, and revealed the ripe, rich, wild world just beyond the doorstep. Not preparing to take over, and not waiting for me to me to cross over, but purely alive and present.

Perhaps what I sensed was the deep, slow heartbeat of the land.

 

The following Monday, it was announced that Aotearoa/New Zealand would go into lockdown at 11.59pm 25 March for four weeks. I discovered that although nervous, I felt relieved.

And now that we’re a few days in, I’m finding this period of isolation is giving me the opportunity to slow my own rhythms, to synchronize my blood and breathing with the earth.

The silence?

It was the lack of traffic I was noticing. Fewer cars, hardly any planes.

And the birds?

I hear them. They were always there, in the trees around my house.
It was my listening, my attention that was struggling to adjust to absence.

I have the chance now to fill my ears with every other sound around me.

bird-call, rain, wind
the soft tread of the cat as he crosses the room
the tremor of a leaf
the expectance between heartbeats
the promise of a held breath
the weight of silence
anticipation, abundance, potential

 

©griffin2020

understanding a painting – summer abstract 2020

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Shifting through Time

when you find yourself in front of a painting you don’t understand
stay there
stand still
wait
and look…

look for a shape you recognise
look for a colour you’ve worn
look for a line that could be part of your own name

search, imagine

if you scraped back a layer
what might lie beneath?

can you find the first time you fell in love?
can you find the first time you were afraid?
can you find the first layer of paint laid down when you were still in the womb?
your first word
your first step
your first act of defiance

search, imagine

when you find yourself standing in front of a painting you don’t understand
stay there
stand still
wait
and look

you are watching your own life unfold

 

This started out as a much different painting –
an attempt to convey a family separation that happened in my early years.
I wasn’t happy with the painting, it felt too contrived and stiff.
When I decided to paint it out and start again –
suddenly – with those two sweeps of white – it was as if I’d overwritten the past
and shifted into the present.
Strange how things work out …

The poem was written in April 2019 – some sort of foretelling going on there.

clairegriffin©2020

 

summer prayer

out of time / out of place

drenched in sun
heat soaks into skin
warms the blood, reaches bone
flesh swells, hair bleaches

this is no drying, endangering fire
this is lifeforce
entering, awakening

days of sun repeat

beginning to trust
each night will turn to light and heat
blue sky endless
breeze just enough to cool the skin

fat bees fly past, heavy with pollen
cicadas call, birds call
sheep call and answer

the wind finds voice
whispering through tall, pale gum trees

my silence and life’s song
under the summer sun

out of time / out of place

tuning in to nature
ready to respond
ready to become
let the wind move
through me
find your voice
in me

I am open
to the world’s will
and every bug and bird
and bud and tree
and river, rock, and mountain
move in me.

©clairegriffin2017

This was written just after xmas when staying at an old farmhouse for a few days over the summer in 2011. I had been lying out in the sun, reading a book on journaling, in that state when you’re searching for something but you don’t know what it is. I was looking outside myself – I hadn’t yet learnt to look within – but I was getting closer…

This is one of those poems that came very quickly – all except one word. I was stuck on the word that needed to sit after ‘rock’. I puzzled over this off and on – then left it for ages. Its interesting that its now (after settling on Rimutaka for my mihi just a couple of weeks ago – see the previous poem “the heart of this hill”) that mountain seems to fit perfectly. 

Either just before or after I wrote this, I went for a walk along the dusty gravel road – and as I walked round the bend that led slightly uphill – I had a sense of, a desire for, everything to be white. Almost the sense of wedding the land – sinking into, and becoming one with, the land around me. I remember thinking that if the sun was to vapourise me in that very moment – I would be content.

27 December 2011 – completed 16 September 2017.

the heart of this hill

I drove today
through rain and fog
over the Rimutaka Hill
to see my father

years earlier, my mother rode a train
through the heart of this hill
heading south
taking me away
from the place I was born

every time, driving back over this hill
I feel as though I am trying
to mend a wound I didn’t make

and I wonder, how many times
will I need to cross back and forth
before the edges are stitched together

but there will always be a tear in the fabric of time
I cannot weave a cloak long enough and wide enough 
to wrap around this hill

all I can do is keep coming back
keep crossing over

©clairegriffin2017

this imaginal space – draft pt.vii

I hear you child – I hold your heart in mine

don’t curse the night – or you will forever ride the darkness

I am here – I am always here – look up – I am waiting

I am giving you time

permanence is illusion – all things shift and return to source

chaos is the foundation – live in the change and shape it

 

©clairegriffin2017