eye to eye

When she was young, she was abandoned,
she was pregnant, she was making do,
wary and opportunistic.

She was found, she was ill, her babies died,
and I had just seen the movie based on the life of Frida Kahlo,
when I saw this small, thin, lost soul in a cage,
for sale, marked down, half price.
Frida she was then, in an instant.

She came home with me.
She was half-wild, wouldn’t be held,
ate fast and then straight outside.
We found she’d made the compost bin her bed.

But she brought us gifts in those early times,
daily mice, some dead, some alive,
and three arranged in the driveway
like an installation artwork.

There was the rat, that looked like someone’s pet.
There was the tui, injured, flapping,
that I drowned in a bucket, while I cried
and she stretched out in the sun

There was the day I realised she was using mirrors
as a way of watching and staying safe.
There was the day she walked into the room and stopped,
and looked, eye to eye, heart to heart.
It proved to me, that patience is worth it, that patience heals.
Two years of waiting evaporated in her eyes.

Today she sleeps.
She sleeps and when she’s not sleeping, she wants to eat.
Having an appetite is a good thing.

And she has developed the habit of scratching the sofa, or trying to.
It’s a dance now, that we both share.
She stretches out a paw and looks my way.
I say no, and her leg lowers. She holds eye contact.
After all these years, she uses her eyes to get what she wants.

I move to the kitchen and squeeze cat food from the packet.
She eats, she climbs on me, and sleeps.

She knows who I am now.
She snores a little
and every breath
is the sound of trust.

Frida

©clairegriffin2017

the visitor : myth, traditions and interpretation

With reference to the poem “the visitor”:

Myth:
In Māori mythology the fantail was responsible for the presence of death in the world. Maui, thinking he could eradicate death by successfully passing through the goddess of death, Hine-nui-te-po, tried to enter the goddess’s sleeping body through the pathway of birth. The fantail, warned by Maui to be quiet, began laughing and woke Hine-nui-te-po, who was so angry that she promptly killed Maui.

Tradition:
In some traditions, the fantail is regarded as “a harbinger of death when seen inside in a house”.
(Kelly Keane. ‘Ngā manu – birds – Birds associated with death’,
Te Ara – the Encyclopedia of New Zealand, updated 8-Sep-15)

Interpretation:
I remember that my own interpretation at the time I experienced this feathered visitor, was less that the presence of this little bird foretold a literal death, but more that it came as a confirmation of the end of a relationship and the changes that were to come. Still, it was a death of sorts.

When emotions were raw, when change was inevitable, this visitor from the natural world somehow seemed to be an acknowledgement, and a reassurance.

Visitors from the wild-world:
This little bird was not the only animal visitor I had during this time – the other was a possum.

I was living in a semi-rural area, near bush, but I had never in five years seen or heard a possum near the house. And then, one night, returning to what was still my home for the time-being, after spending time with friends who had offered me a room in their flat, I parked the car and walking to the gate, there on the lamp-post at eye level was a possum. It was looking straight at me. I was surprised, but I remember greeting it, asking “What are you doing here?” Of course, there was no answer beyond its silent presence. And I felt that was its purpose – to simply be there with me in that moment.

Days passed and I moved out to live in a flat in the centre of town. I carried on with life, putting on a brave face, and clinging to my misplaced hope that this might be temporary, that there might be a return to the way things were.

One night not that long after, coming home from a night out with friends, I parked the car and there on the lamp-post at eye level was a possum. Again surprised, again confronted. Here in the middle of the city I was face to face with a wild creature. (I even caught myself wondering if it could be the same one). And just as with the fantail, it felt as though my decision was being affirmed, that I had made the right decision, no matter how painful it was.

Each time, I was alone. Each time, I was reminded of my aloneness, but it felt as if I was being reminded that I had the strength to cope. There were so many days and nights when I felt as though my world was collapsing, had in fact collapsed. I felt alone, adrift, abandoned and the pain was palpable. Hearts do break, and there is no relief.

One of the few things that gave me strength was knowing that the wild world had crossed the threshold, had stepped in to my time and space to be present with me. Quite possibly it stopped me going completely off the rails over the following months.

© Claire Griffin 2016

silence

IMG_4221

silence
is all I can offer

I hold my hands out
and lying in them
my fallen children
my crafted acts of love
my gifts to you
my words lie crumpled
orphans of war
you forgot them when
you turned to confront me

your words have desecrated
the space between us
I cannot offer mine
I cannot risk losing them
in your wasteland

any words I offered now
would be seeking
your understanding
you cannot give me that

silence
is my only offering
while I am
trying to keep the peace
trying to be peaceful
trying to piece together
the fragments of memory
that I can hold with love

you turned to confront me
I turn away

all I can offer
is silence

 

© Claire Griffin 2016

This is a companion piece to “screen“.
I wish I didn’t need to keep writing these sad, dark poems
(don’t worry – I won’t be putting them all here).
But for now – they are still helping me to process and understand
a significant relationship, myself, my past.